We live in an unpredictable world, that crumbles a little more each day. Sometimes it feels like there is no hope for humanity because we seem to have lost the ability to find common ground or the ability to effectively communicate. But, is that really the case, or are we victims of being force fed media poison until we believe there is no common ground?
These are some of the thoughts that sift through my mind as I sit and listen to Sam Fender’s sophomore album, Seventeen Going Under. This record is a beautiful depiction of growth despite the uncertainties of the world around you and how, together, they shape you become.
I am not the best at journaling about my life, but this is an album that I can hand to anyone and say, ‘this about sums it up.’ The title track is every moment in my youth that I wish I would have done differently highlighted by the lyrics, “The boy who kicked Tom’s head in, still bugs me now and that’s the thing it lingers and claws you when you’re down.” Growing up is not for the faint of heart, and you will likely feel lost most of the time. In reality, most people are winging it, even when it appears that they have it all together. Songs like “Aye,” “Long Way Off,” “Mantra,” and “Paradigms” represent my own frustrations with the media and politics. “Last To Make It Home” is my favorite track on the album. I tend to be my own worst critic and can relate to the self loathing lyrics as the production pushes you through, feet dragging heavier with each step. “The Dying Light” ends the record (standard release) with anthemic lines that leave you with a bit of hope to fight the good fight even when surrounded by despair. I really appreciate how Fender uses his platform and talent to voice opinions on topics others feel uncomfortable speaking about publicly. This is the kind of music that matters. This is the kind of music that is timeless. This is the kind of music that represents an entire generation of people.
I genuinely believe that when I’m dead and gone, people will still speak of the brilliance of this record. Give it a listen and let me know what you think below. For Sam Fender’s website click here.